After storyboarding over 20,000 panels over the years, I've come to a realization: the more you draw something, the more nuanced its appearance becomes. It's like gradually bringing an object into focus while discovering unique details. This approach is applicable to all aspects of filmmaking. It's about assembling a puzzle, guided by the elements that resonate. In my projects, almost every shot is pre-designed, something I achieve by being able to storyboard the entire script myself.
This process not only enhances the quality of the production immensely but also aids in planning the shoot, the visual effects, and in calculating and mitigating potential problems.
